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<title>Hearth and Home 2009 Wall Calendar</title>
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<description>In this collection, Fred Swan, a Vermont artist, demonstrates a keen eye for the attractions of rural landscapes, which he represents in his paintings of country homes, farms, and cottages. Hearth and Home brings this sense of warmth and connection to you every month.</description>
<pubDate>Fri, 09 Jan 2009 18:46:35 +0100</pubDate>
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<title>Home Styles Black Open Unit with Baskets</title>
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<description>-Made of solid wood and finished in black  -Baskets included</description>
<pubDate>Fri, 09 Jan 2009 18:46:35 +0100</pubDate>
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<title>TEACHERS FRIEND TF-3023 BB SET HOME  HOLIDAY HEARTH</title>
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<description>TEACHERS FRIEND TF-3023 BB SET HOME &amp; HOLIDAY HEARTH</description>
<pubDate>Fri, 09 Jan 2009 18:46:35 +0100</pubDate>
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<title>From Van Dweller to Commuter: The Story of a Strenuous Quest for a Home and a Little Hearth and</title>
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<description>From Van Dweller to Commuter: The Story of a Strenuous Quest for a Home and a Little Hearth and</description>
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<title>From Van Dweller to Commuter: The Story of a Strenuous Quest for a Home and a Little Hearth and</title>
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<description>From Van Dweller to Commuter: The Story of a Strenuous Quest for a Home and a Little Hearth and</description>
<pubDate>Fri, 09 Jan 2009 18:46:35 +0100</pubDate>
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<title>Household Saints The Holy Friends Who Protect Your Home And Hearth</title>
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<description>Household Saints The Holy Friends Who Protect Your Home And Hearth</description>
<pubDate>Fri, 09 Jan 2009 18:46:36 +0100</pubDate>
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<title>Blessings for Home and Hearth (!Notable Keepsake Gift Book Series)</title>
<link>http://www.all-name-brands.net/openeurl/page5/10263941/</link>
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<description>Blessings for Home and Hearth (!Notable Keepsake Gift Book Series)</description>
<pubDate>Fri, 09 Jan 2009 18:46:36 +0100</pubDate>
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<title>Electronic Hearth</title>
<link>http://www.all-name-brands.net/openeurl/page5/10263942/</link>
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<description>We all talk about the "tube" or "box," as if television were simply another appliance like the refrigerator or toaster oven.  But Cecilia Tichi argues that TV is actually an environment--a pervasive screen-world that saturates almost every aspect of modern life.  In Electronic Hearth, she looks at how that environment evolved, and how it, in turn, has shaped the American experience.       Tichi explores almost fifty years of writing about television--in novels, cartoons, journalism, advertising, and critical books and articles--to define the role of television in the American consciousness.  She examines early TV advertising to show how the industry tried to position the new device as not just a gadget but a prestigious new piece of furniture, a highly prized addition to the home.  The television set, she writes, has emerged as a new electronic hearth--the center of family activity.  John Updike described this "primitive appeal of the hearth" in Roger's Version: "Television is--its irresistible charm--a fire.  Entering an empty room, we turn it on, and a talking face flares into being."  Sitting in front of the TV, Americans exist in a safety zone, free from the hostility and violence of the outside world.  She also discusses long-standing suspicions of TV viewing: its often solitary, almost autoerotic character, its supposed numbing of the minds and imagination of children, and assertions that watching television drugs the minds of Americans.  Television has been seen as treacherous territory for public figures, from generals to presidents, where satire and broadcast journalism often deflate their authority.  And the print culture of journalism and book publishing has waged a decades-long war of survival against it--only to see new TV generations embrace both the box and the book as a part of their cultural world.  In today's culture, she writes, we have become "teleconscious"--seeing, for example, real life being certified through television ("as seen on TV"), and television constantly ratified through its universal presence in art, movies, music, comic strips, fabric prints, and even references to TV on TV.      Ranging far beyond the bounds of the broadcast industry, Tichi provides a history of contemporary American culture, a culture defined by the television environment.  Intensively researched and insightfully written, The Electronic Hearth offers a new understanding of a critical, but much-maligned, aspect of modern life.</description>
<pubDate>Fri, 09 Jan 2009 18:46:36 +0100</pubDate>
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<title>Electronic Hearth</title>
<link>http://www.all-name-brands.net/openeurl/page5/10263943/</link>
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<description>We all talk about the "tube" or "box," as if television were simply another appliance like the refrigerator or toaster oven.  But Cecilia Tichi argues that TV is actually an environment--a pervasive screen-world that saturates almost every aspect of modern life.  In Electronic Hearth, she looks at how that environment evolved, and how it, in turn, has shaped the American experience.       Tichi explores almost fifty years of writing about television--in novels, cartoons, journalism, advertising, and critical books and articles--to define the role of television in the American consciousness.  She examines early TV advertising to show how the industry tried to position the new device as not just a gadget but a prestigious new piece of furniture, a highly prized addition to the home.  The television set, she writes, has emerged as a new electronic hearth--the center of family activity.  John Updike described this "primitive appeal of the hearth" in Roger's Version: "Television is--its irresistable charm--a fire.  Entering an empty room, we turn it on, and a talking face flares into being."  Sitting in front of the TV, Americans exist in a safety zone, free from the hostility and violence of the outside world.  She also discusses long-standing suspicions of TV viewing: its often solitary, almost autoerotic character, its supposed numbing of the minds and imagination of children, and assertions that watching television drugs the minds of Americans.  Television has been seen as treacherous territory for public figures, from generals to presidents, where satire and broadcast journalism often deflate their authority.  And the print culture of journalism and book publishing has waged a decades-long war of survival against it--only to see new TV generations embrace both the box and the book as a part of their cultural world.  In today's culture, she writes, we have become "teleconscious"--seeing, for example, real life being certified through television ("as seen on TV"), and television constantly ratified through its universal presence in art, movies, music, comic strips, fabric prints, and even references to TV on TV.      Ranging far beyond the bounds of the broadcast industry, Tichi provides a history of contemporary American culture, a culture defined by the television environment.  Intensively researched and insightfully written, The Electronic Hearth offers a new understanding of a critical, but much-maligned, aspect of modern life.</description>
<pubDate>Fri, 09 Jan 2009 18:46:36 +0100</pubDate>
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<title>Electronic Hearth</title>
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<description>We all talk about the "tube" or "box," as if television were simply another appliance like the refrigerator or toaster oven.  But Cecilia Tichi argues that TV is actually an environment--a pervasive screen-world that saturates almost every aspect of modern life.  In Electronic Hearth, she looks at how that environment evolved, and how it, in turn, has shaped the American experience.       Tichi explores almost fifty years of writing about television--in novels, cartoons, journalism, advertising, and critical books and articles--to define the role of television in the American consciousness.  She examines early TV advertising to show how the industry tried to position the new device as not just a gadget but a prestigious new piece of furniture, a highly prized addition to the home.  The television set, she writes, has emerged as a new electronic hearth--the center of family activity.  John Updike described this "primitive appeal of the hearth" in Roger's Version: "Television is--its irresistible charm--a fire.  Entering an empty room, we turn it on, and a talking face flares into being."  Sitting in front of the TV, Americans exist in a safety zone, free from the hostility and violence of the outside world.  She also discusses long-standing suspicions of TV viewing: its often solitary, almost autoerotic character, its supposed numbing of the minds and imagination of children, and assertions that watching television drugs the minds of Americans.  Television has been seen as treacherous territory for public figures, from generals to presidents, where satire and broadcast journalism often deflate their authority.  And the print culture of journalism and book publishing has waged a decades-long war of survival against it--only to see new TV generations embrace both the box and the book as a part of their cultural world.  In today's culture, she writes, we have become "teleconscious"--seeing, for example, real life being certified through television ("as seen on TV"), and television constantly ratified through its universal presence in art, movies, music, comic strips, fabric prints, and even references to TV on TV.      Ranging far beyond the bounds of the broadcast industry, Tichi provides a history of contemporary American culture, a culture defined by the television environment.  Intensively researched and insightfully written, The Electronic Hearth offers a new understanding of a critical, but much-maligned, aspect of modern life.</description>
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